Saturday, November 20, 2010

Song Analysis #2: We Are All Accelerated Readers

Los Campesinos!--”We Are All Accelerated Readers”



Los Campesinos! is a British band that formed in Wales in 2006. “We Are All Accelerated Readers” is a track off of their first album, Hold on Now, Youngster... Many pop culture references are made in the song, as well as frustration clearly being expressed. The song also refers to relationships in movies not being real, and this is a large focus of “We Are All Accelerated Readers.” This song uses several poetic devices, most notably allusion and metaphor, to convey its meaning.
There are several instances of allusion in “We Are All Accelerated Readers”. The first is in the line “you said you looked less like the Venus de Milo, and more like your mother in a straitjacket.” The Venus de Milo is a famous statue of the Greek goddess Aphrodite (or Venus to the Romans). Venus being the goddess of beauty, looking less like the Venus de Milo and more like your mother might be considered a bad thing. In addition, the Venus de Milo’s arms are missing (it being an ancient work of art). Straitjackets hold the arms back, so it could be similar in appearance to the Venus’s missing arms.
The second instance of allusion is in the lines “no more conversations about what Breakfast Club character you’d be/ I’d be the one that dies (no one dies)/ Well then what’s the point?”. The Breakfast Club is a famous eighties teen movie. As the song asserts, no one does die. The writer of the song threw the line in after his friend talked him into watching the movie, which he didn’t enjoy. The movie is, however, generally liked, so many people talk about what character they most resemble, or resembled in high school.
The third example of allusion in “We Are All Accelerated Readers” appears in the line “I’m not Bonnie Tyler and I’m not Toni Braxton”. Both women are singers, and neither are British, which I find curious considering the band’s nationality. The following line, “this song is not gonna save your relationship” implies that Gareth, the writer, is not a songwriter whose songs save people’s relationship. It also suggests that Tyler’s and Braxton’s songs do.
The main example of metaphor in the song is “you should have built a wall, not a bridge”. As far as I can tell, this means that the person in question should have blocked the other person off entirely, not made an effort to overcome problems with them. The building of bridges and walls is a common metaphor, but not necessarily together, and it is interesting having the two juxtaposed.
Overall, “We Are All Accelerated Readers” is an excellent song, with Los Campesinos’ great songwriting and music. As a seven-piece band, they accomplish a very unique musical sound, which I enjoy. Even better, it includes great uses of metaphor and other poetic devices, particularly allusion. In summary, this song is an excellent example of metaphor and allusion.

Friday, November 19, 2010

Student Song Sharing Lyrics

Recently, I saw the Dresden Dolls live, and I can say without doubt that they are amazing. They're incredible live, and it was great to hear Amanda Palmer (the lead singer who also has a solo album full of amazingness) talk about all of her songs on the album. This particular one didn't have a story behind it, but it was towards the end (the last on the album but they sang a couple of other songs after that) and in my sleepiness I really was able to enjoy the song in a different way. I really heard the lyrics, and interestingly enough, my friend Sabrina and I once "divided up the states between us". This song, with its obvious 9/11 theme, also makes me think of my friendship with her. So enjoy!



“Truce” by the Dresden Dolls

You can have Washington, I’ll take New Jersey
You can have London but I want New York City

I should get Providence – I’ve got a job now
Los Angeles – obvious – that's where you belong now

You can have Africa, Asia, Australia,
As long as you keep your hands off Cafe Pamplona
We can split Germany right down the middle
You'd hate it there anyway
Take Berlin and we’ll call it even

You can take all of the carry-on baggage
I'll trade the saskia jokes for the alphabet language

And special occasions we'll split between parents
Who forced us to hate them on alternating weekends

You call it over and I call you psycho
Significant other?
Just say we were lovers and we'll call it even
We'll call it even

I am the ground zero ex-friend you ordered
Disguised as a hero to get past your borders
I know when I’m wanted, I’ll leave when you ask me to
Mind my own business and speak when I’m spoken to

I am the tower around which you orbited
I am not proud, I am just taking orders
I fall to the ground within hours of impact
I hit back when hit
And attack when attacked

You get Route 2 between Concord and Lexington
I want Mass Ave from the square to my apartment

And if we should meet through some misunderstanding
I’ll be very sweet, very patient, and forgiving
(Now get off my side of the state)

And if we should see one another in passing
Despite these techniques, there is sometimes no avoiding
(There must be some kind of mistake)

We'll raise high the white flags and bow heads and shake hands
Declaring the land we're on un-American
We'll call it even
We’ll call it even

I am the tower around which you orbited
I am not proud, I am just taking orders
I fall to the ground within hours of impact
I hit back when hit
And attack when attacked

And I am an accident waiting to happen
I'm laughing like mad while you strangle the captain
My place may be taken but make no mistake
From a little black box I can say without shame
That you've lost, that you’ve lost
Do you know what you've lost?

So take whatever you'd like
I'll strike like the States on fire
You won't sleep very tight
No hiding
No safe cover
Make your bed and now lie
Just like you always do
You can fake it for the papers but I’m on to you, I’m on to you

(repeats)